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		<title>The Crescent shines for all</title>
		<link>http://engagemn.com/2007/12/19/the-crescent-shines-for-all/</link>
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		<pubDate>Wed, 19 Dec 2007 21:11:36 +0000</pubDate>
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				<category><![CDATA[christian]]></category>
		<category><![CDATA[coexist]]></category>
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		<description><![CDATA[Muslims don&#8217;t hold the patent on moon and star symbols By Nahid Khan One of the few benefits of our increasingly stop-and-go traffic situation in the Twin Cities is the increased opportunity to read bumper-sticker messages and think about the process of communication through this medium. Recently, I have been noticing more and more cars [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=engagemn.com&#038;blog=1333372&#038;post=59&#038;subd=engagemn&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><i><b>Muslims don&#8217;t hold the patent on moon and star symbols </b></i></p>
<p><b>By Nahid Khan</b></p>
<p>One of the few benefits of our increasingly stop-and-go traffic situation in the Twin Cities is the increased opportunity to read bumper-sticker messages and think about the process of communication through this medium.</p>
<p>Recently, I have been noticing more and more cars sporting a nifty bumper sticker (and lately, posters and banners, including one hanging from a building on the West Bank campus of the University of Minnesota) that I want to get my own hands on. This is because it makes a thought-provoking declaration of support for pluralism in American society and perhaps the world.</p>
<p>The message states the word COEXIST, but the message is not limited to that one word. The word itself is designed to demonstrate the concept of coexistence, and this has been done by an imaginative and visionary designer by replacing the letters with symbols of several religions, philosophies and scientific concepts resembling the letters replaced.</p>
<p><a href="http://www.stampandshout.org/_gfx/_bst/_ex/coexist.gif" title="www.stampandshout.org"><img align="right" src="http://engagemn.files.wordpress.com/2007/12/coexist_stampandshout.gif?w=480" hspace="4" alt="Bumper sticker from stampandshout.org" /></a></p>
<p>I have to admit that seeing a crescent representing the first letter of the COEXIST concept always makes me smile, and that is not just because the symbol represents the religion of Islam.</p>
<p>Certainly, the history of the Muslim world is a history of diverse peoples interacting, trading and migrating, and of their mutual involvement in learning as well as in the synthesis and creation of knowledge, and to me, that alone justifies the use of a symbol for Islam in this message promoting pluralism.</p>
<p>But because the crescent is a symbol that has been used by people in many cultures and civilizations long before, and beyond, the culture of Islam to represent things higher than this Earth, the crescent itself is a sign of what various cultures and civilizations share in a history that belongs to all humanity.<br />
<span id="more-59"></span><br />
<b>As long as human have gazed at the sky …</b></p>
<p>A review of the crescent’s history as a symbol reveals a part of the story of human co-existence: a rich, complex and global tale that erases some of the boundaries between peoples and cultures.</p>
<p>The crescent, by itself or paired with one or more stars, has been used across cultures throughout the world since ancient times.</p>
<p>Such wide use should not be surprising given that the moon and the stars are part of the universal human experience. They are seen by virtually all of us anywhere on this planet on a daily – or rather nightly – basis.</p>
<p>From the time our ancestors became capable of thinking and questioning, human beings around the world have wondered about the nature and purpose of what they saw in the night sky. As people reflected on their earthly experiences, they gave these heavenly objects many mystic meanings, including people who were members of cultures that are said to form the foundation of Western European civilization.</p>
<p><b>The Crescent: An ancient symbol</b></p>
<p><a rel="attachment wp-att-62" href="http://engagemn.com/2007/12/19/the-crescent-shines-for-all/62/" title="The Anchor Cross"><img align="left" src="http://engagemn.files.wordpress.com/2007/12/anchorcross.jpg?w=480" hspace="4" alt="The Anchor Cross" /></a>In the classical Greco-Roman world, the crescent represented the virginal Greek goddess Artemis (the Roman Diana). Early Christians appropriated it to represent the Virgin Mary, and it appears as part of the “<a href="http://altreligion.about.com/library/glossary/symbols/bldefsanchorcross.htm">Anchor Cross</a>” (left) to represent her purity.</p>
<p><a href="http://www.musee-moyenage.fr/pages/page_id18352_u1l2.htm" title="Musée national du Moyen Age-Cluny"><img align="right" src="http://engagemn.files.wordpress.com/2007/12/clu_4g_93de785.jpg?w=480" hspace="4" /></a>The crescent often appears in medieval and early renaissance-era western European art along with unicorns (which also are associated with virginity). One example is the famous series of tapestries entitled “<a href="http://www.musee-moyenage.fr/pages/page_id18352_u1l2.htm">The Lady and the Unicorn</a>” displayed at the Museum of the Middle Ages in Paris (and reproduced at right).</p>
<p>The first known use of the crescent and star combination was in the Roman province of Illyricum (in the Balkans), to represent the god Jupiter during the reign of Hadrian. It later became the symbol for Byzantium, capital of the eastern half of the Roman Empire after its division in the year 285 of the current era (CE). The crescent was retained as the city’s symbol after being renamed Constantinople to honor the first Christian emperor after his death in 337 CE.</p>
<p>The crescent was a commonly used symbol in the Eastern Roman Empire, today referred to by historians as the Byzantine Empire. When much of its eastern territory became part of the emerging Arab Muslim civilization in the mid-600s, Eastern Orthodox Christian artisans working in the Byzantine artistic tradition occasionally included it along with many other symbols in objects and buildings created for Muslim patrons. The crescent was not adopted by Muslims to symbolize their faith or community even though the two civilizations had strong political, economic and cultural relations with each other and Eastern Christian members of the newly developing Arab Muslim civilization played a tremendously influential role in building it.</p>
<p>The Sassanid Persian Empire (226-651 CE) also used the crescent occasionally as a symbol. Again, the crescent was not adopted by Muslims to represent their own faith or community after the absorption of Persian civilization into the emerging Arab Muslim civilization in the mid-600s, even though Persians also played a tremendously influential role in its development.</p>
<p>There is a very simple reason Muslims did not adopt the crescent and star during the early history of Muslim civilization: the crescent and star is not an &#8220;Islamic&#8221; symbol. It does not represent God, a belief or practice. It is not mentioned in the Qur&#8217;an as a religious symbol, nor was it used by Prophet Muhammad or his early community. Although the Islamic calendar was based on the lunar cycle, that did not make the moon a sacred symbol in Islamic life.</p>
<p>Thus, the crescent is not seen often in the classical arts of the Muslim world, and art reference guides to designs in Islamic art rarely include it. Indeed, it is not found on any art object displayed in the Islamic gallery at the Minneapolis Institute of Arts, where I serve a guide as part of its Collection in Focus guide program.</p>
<p>The crescent rarely appears in the decor of local mosques and Islamic centers used by Minnesota&#8217;s Muslim community, and when it does, it is not a prominent feature, simply because there is no extensive history of crescent symbolism in Muslim culture overall.</p>
<p><b>Red Cross, Red Crescent</b></p>
<p><a href="http://engagemn.files.wordpress.com/2007/12/ottomanflag.gif" title="Ottoman Flag"><img align="right" src="http://engagemn.files.wordpress.com/2007/12/ottomanflag.thumbnail.gif?w=480" hspace="3" alt="Ottoman Flag" /></a>The crescent was linked to Muslims for the first time after the Ottoman Muslims incorporated the last remnants of the Eastern Roman Empire and Byzantine civilization into their own empire during the mid-1400s. The Byzantines were weakened over many centuries by attacks by western Latin (Roman Catholic) Crusaders and pirates, and the Byzantine crescent was adopted by the Ottomans Muslims to symbolize their role in ensuring the continuity of Eastern Orthodox Christian civilization along with that of other Christian churches within their multi-cultural and multi-religious empire. This empire also included large local Jewish communities and welcomed other Jews, especially those fleeing Christian persecutions such as Spanish Inquisition.</p>
<p>The Ottomans occasionally included the crescent amongst the various designs on their public buildings, but the crescent was not used as often as people mistakenly assume, based on distant views of finials topping domes of mosques in modern-day Turkey and other countries formerly part of the Ottoman Empire. When seen from a distance, many of these finials resemble crescents, but they actually are stylized designs of flowers, particularly the lily and tulip. These designs developed because artists saw in them the shape of the name of God as written in Arabic.</p>
<p>When the international Red Cross movement arose in response to various wars within Europe during the mid-1800s, the Ottoman Empire used its influence to develop the Red Crescent as an additional <a href="http://www.fotw.net/flags/islam.html#ori">symbol</a> for the movement. Ottoman representatives pointed out that the Christian cross appeared on the flags of many other European empires, kingdoms and countries, and that it was important for the international Red Cross to avoid giving the impression it was linked officially to any European state when working with Ottoman subjects. Perceptions of such links might have posed problems for the work of the international Red Cross at the time, as many European states were actively attempting to dismantle the Ottoman Empire.</p>
<p>The international Red Cross movement needed to adopt an alternative name and symbol quickly. As the Ottoman Empire was the only European Muslim state in which the international Red Cross operated in at the time, representatives of the movement made a swift decision to borrow the crescent from the Ottoman flag to simplify communication with Ottoman subjects during difficult wartime circumstances.</p>
<p><a href="http://www.crwflags.com/fotw/flags/int-red.html" title="Red Crescent"><img align="left" src="http://engagemn.files.wordpress.com/2007/12/redcrescent.thumbnail.gif?w=480" alt="Red Crescent" /></a>Although the Red Crescent name and symbol is used widely nowadays in the Muslim world, some countries such as Persia (now Iran) and Afghanistan initially rejected its use because of its Ottoman origin, preferring symbols derived from their own national histories.</p>
<p>The Ottomans did not add the star to their crescent-bearing flag until the early 1800s. After the end of the Ottoman Empire and the establishment of the Turkish Republic in the 1920s, the crescent and star was retained for its national flag for historical and not religious reasons. Although the population of Turkey is predominantly Muslim, it is an officially secular state.</p>
<p><b>The Crescent and 20th-century Muslims</b></p>
<p>In the mid-20th century, other predominantly Muslim countries achieving national independence from European colonial powers, such as Pakistan, adopted this symbol in emulation of Turkey. This was because their modernized elites saw it as a model for the development of their own modernizing multi-ethnic, multicultural and multi-religious nation-states in the modern world.</p>
<p>The subsequent rise of movements for interfaith understanding and inter-religious cooperation led to a need for internationally recognizable symbols for religious communities. By default, the crescent was adopted for use by mainly non-Muslim organizations to represent Muslims in modern settings because it already was known through the work of the international Red Cross/Red Crescent movement.</p>
<p>The crescent was added to reference guides to symbols in art published in Europe and the U.S. and began to be used by non-Muslim graphic designers to symbolize Islam in a variety of public settings. The various “Islamic” meanings ascribed to the crescent in these reference guides were developed mainly through inferences about the historic importance of events or the religious importance of beliefs and practices, rather than observation or documentation of the history of symbols used amongst Muslims.</p>
<p>For their part, Muslims eventually emulated non-Muslim usage of the crescent symbol, particularly in logos, where this non-religious symbol was preferred over an image directly linked to the Islamic religion (such as a text from the Qur’an) so as to avoid the possibility of inadvertent desecration. But this emulation also was the result of Eurocentric education, which meant Muslims were more familiar with designs and symbols developed in the modern European era than the meaning of designs and symbols from their own rich artistic tradition.</p>
<p><b>The Crescent endures as a universal symbol</b></p>
<p>Despite this modern linkage to Muslims, the crescent is not exclusively Muslim. It continues to be used by a variety of people, groups and organizations who are working with the universal symbolism of the moon and stars as it relates to their own sphere of activity. One of these is the magazine <a href="https://www.newmoon.org/"><i>New Moon</i></a>, published in Duluth, Minn., by and for girls aged 8 to 14. It uses moon, crescent and star designs in the publication and related <a href="http://www.newmooncatalog.com/prodinfo.asp?number=C01-G01">merchandise</a>.</p>
<p>The universality of crescent-and-star designs and the modernizing trend in recent history is symbolized by the history of the crescent and star. It embraces a period of nearly 3,000 years in a variety of political, religious and cultural communities. Thus, the crescent is a fitting symbol to represent the first letter of the COEXIST design.</p>
<p><i>Nahid Khan is a doctoral candidate in the School of Journalism and Mass Communication at the University of Minnesota, majoring in Mass Communication and minoring in Museum Studies and Religious Studies. She was a staff writer for the Moscow (Idaho)-Pullman (Wash.) Daily News, and now lives in Brooklyn Center, Minn.</i></p>
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			<media:title type="html">Bumper sticker from stampandshout.org</media:title>
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			<media:title type="html">The Anchor Cross</media:title>
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			<media:title type="html">Ottoman Flag</media:title>
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		<title>Stretching history until it snaps</title>
		<link>http://engagemn.com/2007/11/02/stretching-history-until-it-snaps/</link>
		<comments>http://engagemn.com/2007/11/02/stretching-history-until-it-snaps/#comments</comments>
		<pubDate>Fri, 02 Nov 2007 15:22:40 +0000</pubDate>
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		<description><![CDATA[Blaming ancient Iraqis for White America&#8217;s spiritual vacuum is not based on facts By Nahid Khan As a member of the Religion Newswriters Association, I receive a fascinating assortment of mailings from various organizations involved with religion. Last spring, I received a copy of Sacred Fire, a magazine whose subheading (for issue four) was “The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=engagemn.com&#038;blog=1333372&#038;post=46&#038;subd=engagemn&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h3>Blaming ancient Iraqis for White America&#8217;s spiritual vacuum is not based on facts</h3>
<p><strong>By Nahid Khan</strong></p>
<p>As a member of the Religion Newswriters Association, I receive a fascinating assortment of mailings from various organizations involved with religion.</p>
<p>Last spring, I received a copy of <em>Sacred Fire</em>, a magazine whose subheading (for issue four) was “The Experience of Spiritual Connection” but which now is “The Modern Voice of Ancient Tradition.”</p>
<p>I had it pegged as a periodical addressing alternative spiritualities and curled up for a potentially insightful window onto spiritual paths I previously was not aware of, innovative forms of devotional life, and the search for natural forms of healing, native wisdom and positive relationships as well as &#8211; of course &#8211; ways of living in harmony with the environment.</p>
<p>The featured article on the cover, however, was not on these topics but on something unexpected. It was an article apparently related to race, which is a topic not often addressed by alternative spirituality journals. When the topic of race is acknowledged, it usually is in terms of non-white racial and ethnic groups as a source of much-needed traditional wisdom for the modern “white” world.<br />
<span id="more-46"></span><br />
Entitled “Why whites are the lost people,” the article that caught my eye was written by Thom Hartmann, an environmental activist and progressive talk show radio host (on Air America Radio Network), amongst numerous other achievements.</p>
<p>Hartmann attempted to explain why “white people” destroyed so much of Native America but now seek out Native Americans and their spirituality: to replace the spirituality and harmony white people once possessed but which was destroyed by “the original dominator kingdom” of Mesopotamia. As he developed this argument, he linked Gilgamesh and ancient Ur with Saddam Hussein, Baghdad, Iraq, and the contemporary Middle East and Muslim world.</p>
<p>In other words, the people who are really responsible for the destruction of Native America are not the Europeans and European-Americans because the latter also are victims: victims of Mesopotamians as the ancestors of today’s Iraqis, Arabs, Middle Eastern peoples, and Muslims.</p>
<p>This astonishing and obviously ahistoric argument deserved a response, so I sent one to <em>Sacred Fire.</em> Their editors kindly published an edited version as a long letter to the editor in issue six this fall, and I am grateful for their consideration.</p>
<p>Naturally, I think the full version deserves a wider audience who might appreciate knowing about the existence of yet another kind of hostile discourse concerning Muslims; in this case originating not from the usual suspects on the extreme right-wing of the political spectrum but from the extreme left-wing of the social spectrum.</p>
<p>Thus, I present it here, slightly revised for this blog.</p>
<h3>No Basis in History</h3>
<p>Dear friends at Sacred Fire:</p>
<p>The other day I received a copy of issue four of <em>Sacred Fire</em> in the mail. Thank you. I found your magazine very interesting. I am writing, however, to express my concerns as a Muslim regarding the article entitled &#8220;The Lost People&#8221; by Thom Hartmann on pages 20-25.</p>
<p>This article, originally published in 1998 in <em>Spirit of Change</em> magazine, contained his argument that white people are interested in Native American culture and spirituality because they have utterly lost their own &#8220;original&#8221; spirituality which existed in Europe prior to the Celtic invasions and later the domination of Greco-Roman civilization and Christianity.</p>
<p>These destructive events are then attributed to Mesopotamian civilization as the original &#8220;dominator&#8221; civilization which spread its destructive attitudes to these other civilizations.</p>
<p>This argument has no basis in history.</p>
<p>First, there is at least one pre Indo-European/Aryan cultural group still remaining in Europe: the Basques who speak the Euskadi language which is utterly unlike the later Indo-European/Aryan languages.</p>
<p>Second, the Indo-European/Aryan invaders are the first &#8220;dominator-kingdoms&#8221; of human civilization. They arrived in Europe in numerous waves from the area north and east of the Black Sea beginning around 4000 B.C. and continuing for millennia. They also invaded the Middle East, North Africa and South Asian subcontinent and, at various times during the next 5,000 years conquered or destroyed many of the existing civilizations in these regions as well as in Europe.</p>
<p>Third, the Indo-Europeans are the parent culture of not only the Celts, Greeks and Romans and their contemporaries, but also the Germanic, Scandinavian and Slavic peoples in Europe, the Persians and Kurds in the Middle East, and the Hindus of India.</p>
<p>Fourth, the ancient Mesopotamians are neither the parent civilization of the Indo-Europeans/Aryans nor were they its destroyers, or the destroyers of an indigenous original European culture or spirituality. In 4000 B.C., Ur was no more than a village and did not become a full-fledged city-state until around 3000 B.C. Its political power or that of other ancient Mesopotamian city-states did not extend beyond the Middle East, and subsequent Middle Eastern empires rarely controlled territory in present-day Europe.</p>
<p>For much of this time, however, Europe was subjected to invasions by one or another Indo-European/Aryan population. Their descendants are the ancestors of most of today’s European and European-American populations.</p>
<p>Thus, Hartmann&#8217;s argument is based on historical misinformation.</p>
<h3>Hartmann’s Argument: Don’t Blame the White Man for World Destruction, Blame Iraqis</h3>
<p>Here is his claim (on page 23-24):</p>
<p>&#8220;When we track it back, it seems likely that it all began &#8211; the entire worldwide 5000-year-long orgy of genocide and cultural destruction &#8211; in a part of the Middle East known then as Ur and now called Iraq. It started with a man named Gilgamesh, or one of his ancestors, in an area now called Baghdad. The first conquerors &#8211; the first people to rise up and discard the Great Law &#8211; were not the &#8220;White Men&#8221; of Europe. They were, instead, the people of the region where the Middle East meets northern Africa. (Which is why this area is referred to as the &#8220;Cradle of [our] Civilization.&#8221; Their direct descendant is not the Pope or the Queen of England or King of Spain, but a man named Saddam Hussein.<br />
And so my people &#8211; who in the lands of Europe three thousand years ago lived the Red Road in harmony with the world, as your people did four hundred years ago &#8211; were stripped of their tribes, of their languages, of their ways, of their medicine, of their rituals, of their elders. And it was done by a people who, themselves, had it done to them&#8230;by another people who had it done to them &#8211; all the way back to the first &#8220;eruption of human insanity&#8221;: the City/State of Ur (now called Baghdad) and its king, Gilgamesh or his predecessor, 5000 to 7000 years ago.&#8221;</p>
<p>There is a considerable academic literature on the Indo-Europeans (see, for example, the book In Search of the Indo-Europeans by J.P Mallory (1989)) which shows that they were the first to domesticate the horse, develop wheeled horse-drawn chariots and to use them in the conquest of other lands and peoples. The Indo-Europeans/Aryans were a pastoral, nomadic people constantly searching for resources, and this stimulated their innovations in weaponry and warfare which were used to invade lands settled by agriculturally-based populations which supported city-states.</p>
<p>This is opposite to Hartmann&#8217;s argument that city-states in the Middle East (such as Ur) were the original &#8220;dominator-kingdoms.&#8221;</p>
<p>I expected your magazine to be a source of spiritual reflection and information about the world&#8217;s indigenous wisdom traditions, and knowledge about their application in today&#8217;s world. Thus, this article was profoundly disturbing as it revealed that even those who are attempting to rise above materialism to consider spiritual connections are not immune to ethnic prejudice and political bias, or the misuse of spiritual discourse to enmify groups of &#8220;others.&#8221;</p>
<p>Hartmann appears to have attempted to shift blame from Europeans as destroyers of Native American peoples, cultures and lands to ancient Middle Easterners. He then appears to have attempted to link those ancient Middle Easterners to contemporary Middle Easterners. He presents ancient Ur as the same as present-day Baghdad, although Ur was located approximately 225 miles south of Baghdad (near the present-day town of Nasiriya).</p>
<p>Gilgamesh was the king of Uruk not Ur as Hartmann seems to think (and, by the way, Uruk was about 70 miles northwest of Ur or 155 miles south of Baghdad) in about 2700 B.C. Hartmann presents Gilgamesh as the original world-conqueror living about 5,000 to 7,000 years ago, and his people are presented as the &#8220;the first eruption of human insanity.&#8221; Their &#8220;direct descendant&#8221; according to Hartmann is Saddam Hussein (even though the latter was from Tikrit, 100 miles northwest of Baghdad and about 250 miles north of Uruk).</p>
<p>Hartmann argues that the first conquerors and first to discard the &#8220;Great Law&#8221; (nowhere defined but presumably the peaceful, harmonious, Earth-connected, Creator-centered path Hartmann is attempting to extol) were the ancient peoples of &#8220;the region where the Middle East meets northern Africa.&#8221;</p>
<p>Thus, his linkage of Ur to Baghdad and Gilgamesh to Saddam Hussein suggests that the contemporary people of Iraq, Arab world, Middle East and perhaps the entire Muslim world are implicated in, and are even the true culprits behind, &#8220;the entire worldwide 5000-year-long orgy of genocide and cultural destruction.&#8221;</p>
<h3>So, Who <em>Is</em> to ‘Blame’?</h3>
<p>Let us pause here and consider the political significance and meaning of this essentializing, ahistoric and stereotyping argument in today&#8217;s world, or even when this article was published for the first time in 1998.</p>
<p>The evidence of history does not support Hartmann&#8217;s argument, but rather seems to indicate that the culture of warfare and weaponry began with and was spread mainly by the Indo-Europeans/Aryans. As the ancestral culture of most Europeans and European-Americans, let us now consider what arguments could be made and supported about them with the historical evidence about Indo-Europeans/Aryans, if we believed in essentializing identities, the natures of ethnic groups and the direction of history in this way.</p>
<p>Rather than fall into the same game of blame of a specific group or their descendants for all of the death and destruction in human history, I would suggest another, more Earth-connected, Creator-centered path to facing up to such a history of death and destruction.</p>
<p>Human beings have spread all over the world and interbred to such a great extent that geneticists argue that everyone on Earth is at least a 20th cousin. Therefore, it is clear that the culture of violence is a global matter that should be of concern to all people. And it should be a matter regarding which all human beings are responsible for causing, for confronting and for healing.</p>
<p>Sincerely,<br />
Nahid Khan</p>
<p>Sacred Fire magazine issue four (&#8220;The Lost People&#8221; by Thom Hartmann)</p>
<p>http://www.sacredfiremagazine.com/Default.aspx?tabid=91</p>
<p>Thom Hartmann&#8217;s Internet site:</p>
<p>http://www.thomhartmann.com/</p>
<p>Spirit of Life magazine:</p>
<p>http://www.spiritofchange.com</p>
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